HMN 2025: How Most of us love memes. But are they a type of comics?

Most of us love memes. But are they a form of comics?
The “Distracted Boyfriend” meme has been one of the crucial in style of latest years. Credit: The Ohio State University

Once upon a time—manner again within the twentieth century—folks obtained their laughs from studying comics within the newspaper. Today, many people get our chuckles by seeing (and sharing) humorous memes on-line.

But are these two cultural phenomena actually that totally different? In a brand new article, comics scholar Michelle Ann Abate argues that memes are an necessary new kind of digital .

“Memes use plenty of the identical visible and verbal components that go into a comic book, and people components perform in a really related manner. So sure, memes ought to completely be thought of a kind of comedian,” mentioned Abate, a professor of literature for kids and at The Ohio State University’s College of Education and Human Ecology.

Abate wrote about memes as comics within the spring 2025 difficulty of INKS: The Journal of the Comics Studies Society.

Abate mentioned she began fascinated about the connection between the 2 artwork types when she seen that she was sharing a lot of memes in group chats with mates where she was additionally posting single-panel comics.

“It occurred to me that they’ve that very same interaction of visible and verbal components,” she mentioned.

In each comics and memes, the textual content and the picture wouldn’t make a lot sense with out the opposite. The components work collectively to provide the humor.

Of course, with comics, the artist usually produces each the drawing and the language. In memes, folks use a base picture—often called an “picture macro”—and add their very own commentary.

Using a pre-existing visible as the idea for a is “akin to sampling in music,” Abate mentioned.

“Someone takes that base content material and repurposes it, reimagines it, and develops it into an unique piece of artwork.”

Some of these base photographs have been used many hundreds of instances and change into a cultural phenomenon: as an illustration, the “Distracted boyfriend,” “Batman Slapping Robin” or “American Chopper.”

While memes are a comparatively latest growth, comics themselves have lengthy used pre-existing photographs to offer others with the chance so as to add their very own unique language and create their very own distinctive cartoon panel.

The Caption Contest from The New Yorker embodies a widely known present instance of this phenomenon. Launched in 1999, the journal publishes a single-panel drawing every week that lacks any speech balloons or dialog bins. Readers ship of their concepts for the lacking verbal ingredient.

“The New Yorker’s caption contest is commonly framed as a kind of crowdsourcing, however it’s also type of memeing,” Abate mentioned. “The platform could also be a bit extra intellectual, however the readers are actually serving to produce a meme.”

That mentioned, memes and comics do possess some distinct variations.

Because memes are created, learn, and shared on-line, their panels are usually organized vertically, quite than horizontally. That distinction could be key, Abate mentioned.

She makes use of the instance of the “American Chopper” meme that exhibits a collection of 5 screenshots taken from an episode of the favored actuality present by the identical title. The meme sequence options the 2 fundamental stars—Paul Teutel, Sr. and his son Paul Teutel, Jr.—in a heated argument.

Many creators have used this meme to relay a cultural debate by which the 2 stars take a unique facet of the argument.

The vertical format is ideal for studying on a smartphone or pill where it’s a lot simpler to look at content material by scrolling down quite than left to proper, Abate mentioned. But this spatial format has one other benefit within the “American Chopper” meme.

Rather than studying regularly from left to proper, the position of panels in an extended vertical strip forces folks to cease for a fraction of a second as their eyes transfer right down to the following panel.

“American Chopper” desires its readers to pause, simply briefly, to allow them to contemplate the argument that has been made earlier than they scroll right down to the counterargument that seems beneath it.

“It is that momentary delay that shifts the alternate from two folks merely yelling at one another to 2 folks debating one another,” she mentioned.

“If the panels have been organized horizontally and the fellows have been facet by facet in one another’s face, installments of “American Chopper’ would come throughout very in another way.”

That’s only one illustration of how memes each mirror and modify comics, Abate mentioned.

Scott McCloud, in his e book “Reinventing Comics,” talked about digital comics as having an “infinite canvas” as a result of they have been not restricted to a sure measurement or form, as they might have in a printed format. Online, a single comics panel could be as large as a metropolis block; readers can use their cursor, arrow keys, or trackpad to discover it. Obviously, these dimensions wouldn’t work for a bodily e book.

Memes embody this notion of “infinite canvas,” however differently from what McCloud envisioned, Abate mentioned.

“The limitless nature of meme-based comics isn’t the boundless measurement of their panels,” she wrote. “Rather, it’s the inexhaustible reusability of their visible template.”

This infinite canvas of memes suggests they are going to be staying round, at the same time as they evolve, Abate defined.

“Memes have change into such an necessary a part of our lexicon within the twenty first century. They are a part of how we talk, a part of our humorousness, and a key manner that we join with one another.”

More data:
Abate, Michelle Ann. One Does Not Simply Overlook New Forms of Sequential Art: Memes as Fixed-Image Comics, Inks:The Journal of the Comics Studies Society (2025). muse.jhu.edu/article/960641

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